Tuesday, February 19, 2019

Darkest Hour: Undoing Ruin



“Undoing Ruin” is the follow-up to 2003’s “Hidden Hands of a Sadist Nation”. Like before, Darkest Hour continue to play well executed metalcore with a slight edge. The base of their sound may be metalcore, but the music they play could easily fit the narrative that many melodic death bands or deathcore bands aspire to achieve.

As mentioned, the music created on “Undoing Ruin” is not your standard metalcore. The guitar work is, once again, very solid, serving as the highlight of the album. Powerful riffs that have both a deathrash and metalcore feel can be heard woven throughout the album. In addition, the melodies created are catchy and well placed and easily keep the listeners foot tapping. Like before, the drums play an important role in the overall makeup of Darkest Hour’s sound. They are consistently pounding away and creating a layer of sound just as important as the guitars. John Henry, aside from vocal duties even plays a little additional drums himself on this album. The song writing, in my mind, is a little better on this release, adding enough variety to the overall sound to give the songs a more distinct sound.

That being said, the main critique that I had against Darkest Hour’s “Hidden Hands of a Sadist Nation” was that it needed a little more variety to its overall sound, particularly in the vocal department. Now, I enjoyed John Henry’s sound on “Hidden Hands of a Sadist Nation”. I remember enjoying his, perfect fit for metalcore vocals, but thought they could be so much more if he tried. Unfortunately, the sound is pretty consistently metalcore throughout just as it they were before, but I will say they work. Again, they don’t sound bad at all and they fit the overall sound just fine, but with how much variation is created throughout the music, I feel they miss the opportunity to do the same with the vocals. It is what was it is.

Despite the lack of vocal variation, I felt “Undoing Ruin” was a very nice follow-up to “Hidden Hand of a Sadist Nation”. This album will certainly appease any metalcore fan and while the vocals may deter some more traditionalists, I’d say give it a shot. You may find yourself enjoying It after all.

Highlights: “Sound the Surrender” “Convalescence” “With a Thousand Words to Say But”

Rating: 3.5

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