Showing posts with label Hard Rock. Show all posts
Showing posts with label Hard Rock. Show all posts

Sunday, February 24, 2019

Kings N' Fools: Former Life



Kings N’ Fools is an obscure Swedish band that, to my knowledge, only released one single “Former Life / Early Dawn” What we have is a pretty decent showing of hard rock that I feel came out five or six years too late. Dropping in 1990, the sound on this single certainly feels dated and was nowhere near the sound needed to breakthrough.

“Former Life” is a solid, fist pumping rocker with some very nice riffs and good use of keyboards. The drums tap away and keeps the beat steady, but are quite tame themselves. Michael Löfgren has a voice that fits the style nicely, which I have no overall complaints about. Overall, “Former Life” is a pretty good song. Nothing ground breaking, but certainly one with promise.

“Early Dawn” is your classic ballad of the time. If you wanted to make it in the rock world in the 80’s and early 90’s, you better have had a solid power ballad up your sleeve. There’s no way you were going to compete with the likes of “Mr. Big”, “Skid Row” or “Extreme” if you didn’t have an A-game ballad. Unfortunately, this is the area where Kings N’ Fools seems to come up short. “Early Dawn” is a fine ballad, but fine wasn’t going to cut it in terms of marketability.

At the end of the day, I’ll stand by the notion that, Kings N’ Fools tried to enter the game at the wrong time. I feel that this single would have gotten more attention somewhere between 84-86 when glam had a strangle hold on the music industry. Just like many fine thrash acts that entered the game either at a time when the sound was no longer desired or at the brink of collapse, Kings N’ Fools would become victims of a similar fate.

Highlights: "Former Life"

Rating: 2.5

Friday, February 22, 2019

Kiss: Destroyer



When it comes to iconic rock icons, Kiss certainly ranks among the top. With their trademark face paint and eccentric outfits, along with their on-stage use of pyrotechnics, smoking guitars and fake blood, they managed to capture the attention of the world. Of course, the positives always come with the negative, but this isn’t a history lesson about the band, nor about the demonization of rock and metal music. (That is a story in and of itself).

I’ll admit, I haven’t listened to the majority of KISS’s albums. I’ve always enjoyed a number of individual songs such as: “Heaven’s on Fire” and “Rock and Roll All Nite” and of course, “Detroit Rock City”, but never sought out to actually listen to their accompanying albums. I figured if I was going to do so, I’d begin with arguably KISS’s most famous album “Destroyer”.  Now, I wasn’t even born when this album was release, so I won’t’ pretend to understand the setting at the time or the atmosphere of the era, but I do know that “Destroyer” would not only go on to be a worldwide hit, but it would also change the game of hard rock. Whether you love them or hate them, their influence on the hard rock and especially heavy metal world is unparalleled.

Off topic, but many of my favorite horror films are from the 50’s and 60’s. They didn’t relay on FX or modern Hollywood magic (they had the magic available at the time of course) Instead, they relied on good writing and excellent acting. Give me vintage “House on Haunted Hill” of “Invasion or the Body Snatchers” any day! When they needed to convey terror and suspense, it was the actors who were responsible to create those feelings. They put their heart and soul into the writing and acting, which birthed so many classics of that time. So where am I going with this?

Okay, well although I listen to some hard rock from the 60s and 70’s, albeit sporadically, the one comparison I notice with many albums is that the atmosphere of those albums are very similar to the classic horror films. What I mean is that, the Stones, Beatles, Zeppelin, Floyd; they created a certain atmosphere that captured the sound of the time. Sure the music itself is stellar, but you can feel their hearts and souls infused into that music, which is why their albums still hold merit to this day. I mean, there’s a reason why 40-50 years later, kids are still wearing their apparel and rocking out to their albums. (I don’t think today’s top 40 trendy artists' staying power will last 20 years let alone 50.) The first thing I noticed when listening to “Destroyer” was that atmospheric feeling that the album created. I felt as though the album had captured the magic of a live venue and replicated it on the record, without actually having any live components. The essence of their brand of hard rock is on display on “Destroyer” and the essence is exactly why their legacy is still going strong to this day.

The music on “Destroyer” is based on a steady flow of catchy rock riffs, that occasionally carry a groovier sound to them. At times, I sense an almost Black Sabbath influence in the guitar work. The opening of “Detroit Rock City” pretty much sums up the ability to immediately hook the listener. From there, the songs begin to vary from the aforementioned hard rocking opener, to “God of Thunder”, which has a doomier, bluesy sound to its core and “Shout it Out Loud”, which is more melodic in nature. The drums on “Destroyer” are not exactly the bee’s knees, but they don’t have to be. Peter Criss’ work is more than effective to help maintain a steady beat and provide the right amount of energy for the entire album. As for the bass, I was impress with Simmons’ bass right out of the gate on “Detroit Rock City” and it continues throughout the entire album. I’m not sure I really need to get into detail about Gene Simmons’ vocals. Other than being legendary themselves, they are the main attraction on display. The perfect blend of energy, anger, rock n’ roll, but still has the ability to actually sing.  

To say this album is a landmark album of the entire music industry would be selling it short, but it is what it is. If I’m being honest, there are a couple songs that I’m not wild about on this album, but nothing that I think is bad by any means. As I mentioned before, aside from a handful of individual songs, I never actually listened to one of the actually corresponding albums of said songs. I suppose I stacked the deck a bit when I chose “Destroyer” as I knew it’s legacy, but I’m willing to bet when I listen to a few other KISS albums, I’ll begin to further my understating as to why the KISS army has had their boots on the ground for nearly 45 years. This is a no brainer for all hard rock fans, but for metal fans alike. 

Highlights: “Detroit Rock City” “God of Thunder” “Shout it out Loud” “King of the Night Time World”

Rating: 4.5 

Sunday, February 10, 2019

Slik Toxik: Smooth & Deadly



I remember "borrowing" cassette as a kid, no more than eight years old, and jamming out. Of course, when my parents discovered I had it, I wouldn't see it again until I was much older. Canada's Slik Toxik's sound is the classic sleaze that the late 80's very early 90's was churning out at the time. Fun, party inducing metal/rock that any fan of Skid Row, Poison, or Ratt would love. "Big Fucking Deal" and "Riff Raff" are by far the highlights here, but "Rachel's Breathing" is also a great song.  I remember when I was in my early twenties I stumbled across the original cassette and finally relistened to this gem. For years, I could always remember the course of "Big Fucking Deal", but couldn't remember where I had heard it, so when that song pumped out of my speakers, my years of wondering were happily answered.

Highlights: "Big Fucking Deal" "Riff Raff" "Rachel's Breathing" 

Rating: 3.5

Sea Hags: Sea Hags



Sleaze rock right during the second push of the Glam Metal movement. Sea Hags's sound fits the narrative of the time, accompanying acts such as; Guns N' Roses, Junkyard and Dangerous Toys. Pretty much what you would expect; glam metal with a little bluesy influence which is well done, but much like any movement (thrash, death) the sound began to wear thin. Glam fans should check it out.

Highlights: "Half The Way Valley", "Too Much T-Bone"

Rating: 2.5

Slammin' Gladys: Slammin' Gladys


Ah, Slammin' Gladys. One of the earliest pieces of heavy metal/hard rock I can remember jamming out to. I was 8 or 9 at the time and remember looking at the CD and wondering "why is that lady happy about being run over by a train?" LOL Sexual innuendos aside, Slammin' Gladys plays a very melodic hard rock with elements of blues added into the mix. A little too heavy to be glam rock, but not quite heavy metal, so ultimately, Hair Metal. David Brooks's vocals are a blend of glam and aggressiveness, which make them perfect for this album. The riffs on this album still get my blood pumping such as "Bet Your Life" or "Bad Attitude". There is an interesting cover of "Piece of My Heart", which was originally performed by Erma Franklin (Aretha's older sister) and was covered by Janis Joplin (along with a few others). Slammin' Gladys has stated that their rendition of the song is a cover of Joplin's cover of the song, so I guess it would be a cover of a cover? At any rate, not a bad take on the song itself. Songs like "Love Is My Drug" and "Lay Me Down (In The Roses)" show off their 80's rock influences while "Where Were U" and "Push" add a little more metal into the mix.  There are a few ballad type songs here such as "Down On Your Knees" and "What U Need". Honestly, this is not super original, but I'll be damned if it isn't fun and catchy. If this had dropped in the 80's, I have no doubt they would have had more success. Any fan of Warrant, Skid Row or any other of the numerous hair metal bands that dominated the 80's and early 90's would definitely get a kick out of this album.


Highlights: "Bet Your Life" "Bad Attitude" "Where Were U"

Rating: 4