Friday, March 29, 2019

Benediction: The Grand Leveler



Crushing death metal from the UK, Benediction play a death metal remnant of classic Autopsy and Bolt Thrower. They released their debut in 1990 titled, “Subconscious Terror and would quickly release their follow up a year later titled; “The Grand Leveler”.

The sound on the “The Grand Leveler” showcases the epitome of what OSDM was all about at the time: one dimensional, gruff vocals with thick and catchy riffs played over a hefty dose of pounding drums. The song writing and structures of the songs here allow for the OSDM elements to be showcased adequately, while also providing the proper medium to display some of the band’s more technical traits as well. The album is steeped in a dissonant and hazy sound, one that gives off an almost underground feeling to the music. However, this is a byproduct of the excellent production, which creates such a gritty atmosphere all the while, giving each musician their fair share of the limelight.

The guitars carry a simple sound, yet Peter Rew and Darren Brookes do a wonderful job creating a number of well executed harmonies. The leads on this album are numerous and have the ability to quickly captive the listener attention. One listen to riffs on “Gravewurm” or “Senile Dementia” give a perfect examples of the thick and distorted sound of the era, but they are so much more than single note chugs that simply plod throughout the song. Instead, the riffs, which by themselves are quite memorable tend to be broken up by well-placed guitar fills. These fills, provide both an equally catchy display of guitar work, but also serve as a nice alternating rhythm and pace that prevents the songs from becoming redundant. There are also some short and almost thrash like solos to be heard throughout as well, that go hand in hand with the ferocity of the main riffs and up-tempo drum beats.

Speaking of drums, if I’m being honest, I would say that they sound as though they are just a rise and repeat version of themselves on most songs. Don’t get me wrong, their presence is more than felt throughout the album, as they hammer away upon the listener each song. It’s just that, there are not many uses of double bass kicks, nor much in the way of furious blast beats that were all the rage at the time. Not that either are required for s successful sound, but other than some snare blasting and cymbal pounding, the drums come off as very one dimensional. That being said, what they lack in their addition to the rhythm department, they more than make up in sheer force. As I mentioned, the production of the album allows every instrument to come through on its own and this holds true with the drums as their powerful sound, albeit lacking diversity, is easily detected. The bass is another instrument to benefit more from the production rather than songwriting. For the most part, the bass can be heard plucking along with the guitars, but they don’t really mix things up too often, but again the production brings them into the light, allowing their thick and bouncy sound to help compliment the leads.

The vocals here are dark, deep and gruff. They bring a no nonsense attitude to the table that really bring the sound of the entire album together. Dave Ingram’s voice carries a certain raspy, bleakness that make them sound almost like elongated growls. They truly are scary in nature, which fits perfectly with the OSDM sound. Like everything else, the production puts Ingram’s vocals center stage, which keeps the listener engaged as they are heard over top the many riffs and melodies the “The Grand Leveler” has to offer.

If you are looking for a prime example of what OSDM can accomplish with a simplistic concept, strong song writing and competent musician, then look no further than “The Grand Leveler” Benediction shows just how far the basic elements can take an album and that not all death metal needs to be overly complex or a mind altering experience to be enjoyed. Aside from a few minor quips with the drums and bass, this is a fine showing of OSDM done right and any fan of the sound will not be disappointed.

Highlights: “Gravewurm” “Senile Dementia” “Opulence of the Absolute”

Rating: 4

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